About
One studio, every model
Adamantite H puts the whole current generation of image and video models behind a single subscription, so the decision you make is which model suits the shot — not which vendor you feel like paying this month.
The problem
The good models do not live in one place. Nano Banana is not where Kling is, Kling is not where Seedance is, and each one wants its own account, its own card on file and its own pile of credits that expire on its own schedule. Picking the right tool stops being a creative decision and starts being an accounting one.
Worse, the credits do not move. Twenty dollars stranded on a platform you have stopped using is twenty dollars gone.
What we do about it
One subscription buys one pool of credits, and that pool spends across all 26 models on the roster. A cheap draft pass on a budget model and one expensive final render on a flagship come out of the same balance, which is exactly how the work actually goes.
Half of every subscription goes straight back out as provider credit on the shared key that runs generation. That is what the allowances on the pricing page are computed from — they are derived from the credit maths, not written by hand, so the headline numbers cannot drift away from what a plan actually buys.
How we think about it
Models are commodities; the workflow is not. Providers leapfrog each other every few months. Generation sits behind an adapter here precisely so today's best model can be swapped for next quarter's without anything you have made moving or breaking.
Your work stays put. Every generation lands in a project you own. Rename it, duplicate it, bin it, pull it back out of the bin. Nothing is deleted out from under you because a model was retired.
The maths is published. Every model lists its exact credit cost before you spend anything, and a job that fails or is withheld is refunded automatically. You should never have to guess what a click cost you.